Original Music for Television & Film

Connecting storytellers with audiences everywhere 

Connecting storytellers with audiences everywhere 

Original Music for Television & Film

Connecting storytellers with audiences everywhere 

5× Emmy Nominated

35+ Years

Scoring, Themes & Licensing

Nashville · Los Angeles


About MusicWerks Productions

MusicWerks is a boutique music production house that bridges the artistic vision of showrunners and film directors with the broadcast parameters of major global networks.

Our legacy spans more than 35 years of high-volume episodic production, custom main themes, and evocative tracks licensed worldwide. Based in Franklin, Tennessee, we work from Nashville to Los Angeles, and wherever the project takes us.

Black and white photo of a group of people working in a recording studio. They are seated at a mixing console and computers, with some of them looking at their screens and others engaged in conversation.
Selected Credits

Television

Yu-Gi-Oh! Go Rush!
Konami

Shaq’s Garage
Shaquille O’Neal

Superhero Kindergarten
Stan Lee · Starring Arnold Schwarzenegger

Power Rangers Beast Morphers
Saban

Film

Jersey Boys
Directed by Clint Eastwood

Battlecreek
Directed by Alison Eastwood

To the Moon and Back
Directed by Susan Morgan · Best Original Score

Homme Less
Directed by Thomas Wirthensohn

Main Titles

Yu-Gi-Oh! Sevens
Konami

Extreme Dinosaurs
Dic Ent.

Pocket Dragon Adventures
Dic Ent.

The Dr. OZ Show
Harpo Studios


A person with glasses playing a keyboard surrounded by music production equipment, including dual computer monitors displaying music software, an audio interface, and a mixing console, in a recording studio.
Founder & Creative Director

Matt McGuire

Five-time Emmy-nominated composer Matt McGuire has moved fluidly from Carnegie Hall to Capitol Records, with several world tours in between, including five years as music director for Engelbert Humperdinck. He specializes in series and film scoring, songwriting, and turnkey music production, with credits ranging from Sonic X and Power Rangers to ABC’s General Hospital and Clint Eastwood’s Jersey Boys. More than three decades in, he still measures the work the same way: a good score never intrudes, but is missed when it’s not there.